Genesis/A Poem for Toni
by ANGEL C. DYE
in Fall 2019
Genesis
a contrapuntal
In the beginning
was the word God created
the heavens and the earth
the word wasn’t really a soulsong
a word really ain’t that different
but a sound ‘cept for the souls
copper
pennies plinkin colored people movin
onto subway
tracks platforms
up here down there
a chorus of
blues wheel screech
Mista Man tap dancin
for dollas for diamonds
on streets
paved with gold strewn with stray things
pew of hat-wearin sistas
and the tambourines
they beat
scat
is what would happen
if the angel Gabriel if sidewalk cracks
started a jazz band:
holy boom
and BAM!
A Poem for Toni
She gather me
at an altar festooned for ancestors,
baptize me in florida water
then wring the wet from my tresses
She paint me
aqua, indigo, screaming cerulean
the bluest blue, high yellow, sugar brown
She wax wings for me,
strap them to my bent back,
iron my spine,
and push me skyward
She tell me give up that shit,
them bricks, them shackles
She see me:
big, vast, Middle Passage
wide and weary
haint holding my jagged throat
She see me
see me
see
me
girlgirlgirl circling
She pluck the rose over my eye,
say, “Fly,”
place my best thing in my palm
and the hand there is mine.
Angel C. Dye is a poet and scholar of African American Literature from Dallas-Ft. Worth, Texas/Milwaukee, Wisconsin. A graduate of Howard University, she holds an MFA in Creative Writing from the University of Kentucky, where she was a Nikky Finney fellow, and is currently a Ph.D. in English student at Rutgers University. Angel’s work has appeared in or is forthcoming in About Place Journal, The Pierian Journal, African Voices Magazine, and Blue Mountain Review among other places. She writes in the tradition of Lucille Clifton, Amiri Baraka, and Sterling A. Brown, striving to carry on their legacies of unapologetic blackness in the face of oppression, radical self-love, and artistic activism. She aims to discover, as Audre Lorde explains, “the words [she does] not yet have.”