My Prow Towards the City/Woman on the Bus/My Relatives for the Most

by FREDERICK B. HUDSON
in Spring 2021

Tafari Melisizwe, Strike, 2018

My Prow Towards the City


A song boat

Swaying in the canebrakes

We plucked them ourselves

And left no Pharaohs' sons behind us

Our children reach over the sides

For jewels for their mothers' beauty

Black gold agates painted with the moon

And the crocodile's tail   the boat is a harvest

The horn a goat feast's last remainder

Blow the horn a triumphant pace of victory rhythm

Then fill the horn with mangoes

We march this craft across the tides

The sun under our oars

This time let there be no huddling

Among each other and starvation

This time let there be no leaping

for freedom tides   this time let there be no crying

but rather let us weave a sunrise robe

and let its bent colors comb

the grey dusk cities of the West

to remember our ancestors who soared above their burial stones.


Woman on the Bus

Walking shoulders over crutches

She had one leg showing

The other had escaped her

Flesh and bone back to dark process

The hospital could not explain

To her.  So they just broke the news

Over her head in a vase

Of other people's flowers.

She carries a girl-child

Limp, proud in one hand

Walking shoulders over crutches

Putting rubber tips in front

Over men's feet.

The child is crying then smiling

Bent over her lap—the one leg.

When she shops, she must have trouble

Holding the bag in one hand

Groceries slipping to one side,

Then falling towards the ground.

Help her  I wonder

Cries 

the thin obsessive nerve 

Between my lungs.

Scaffold my toes.

Pull out her leg.

Make me another navel.


My Relatives for the Most


My relatives for the most

Part

Were not pillars holding up stone roofs

But rather planks stepped on

Taken for granted

Until the splinters lifted up

Inclined and pricked an intruding toe.

My relatives for the most part

Were not words tossed

Through the corn and strawberries

Under the mules' feet

Making ink out of water and wait

When they grew something that had no claim to share

My  relatives for the most part

Knew nothing of taking life

Away with a pointed scorn stick

They just knew whittling ways

Of making wood

Fly away in the night

From logs that became generals and boats

That held their tongues and hulls tight

About the rich human waste

That kept itself under outhouses

Rather than make the corn and strawberries

Stop the white man's mule stop

In his traces.


Frederick B. Hudson is a management consultant specializing in nonprofit development. His previous publications were included in The New York Times, Massachusetts Review, Freedomways, among many others. 

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